Practise this by first placing a note just on the beats ( Ta‘s) and then just on the off-beats ( Ka‘s). The key to having great timing is the ability to place a single note very accurately onto a sub-division. They play it either too early or too late. I hear a lot of bass players who play on the beat very well, but they seem to guess where the off-beat is. You will improve your eighth note bass grooves by playing off-beats very accurately. How should I practise to improve my eighth note feel? If you can do that and keep it in time, then you are feeling the eighth note sub-division. Try reciting the Ta-Ka‘s in time with the audio example in the video (you’ll find it at 1m52s). Four Ta‘s represent the four beats and four Ka‘s represent the four off-beats. Recite Ta-Ka four times making sure that every syllable has equal length, Ta-Ka / Ta-Ka / Ta-Ka / Ta-Ka. This represents one bar of eighth notes. My system involves using the syllables Ta-Ka. Using this system Ta represents the beat and Ka represents the off-beat. In order to improve your eighth note grooves you need to have a system for feeling the eighth note sub-division when you play. However, you should also be able to groove playing eighth notes even when you’re not playing with a drum beat. If you want your bass line to groove you need to make sure your notes sit very accurately in time with the drummers sub-divisions. Meaning that the drums are playing the eighth note sub-division. In most cases when you’re playing an eighth note feel, you’ll play with an eighth note drum beat. It means that all of the notes that you play are placed on either beats or off-beats. If a note is placed on any other sub-division then it’s no longer an eighth note feel.Īn eighth note feel does not mean that you have to play eight notes in every bar on all of the eight sub-divisions. It can only be called an eighth note feel if all the notes are placed on either beats or off-beats. Therefore there are eight different places in each bar where you can place a note either on the beat or off the beat. The eighth note example above has four beats in each bar so there are four beats and four off-beats in each bar. The off-beat is the point in time exactly equally distant from the beat before and the beat after. So each beat contains a beat and an off-beat. What is an eighth note feel?Īn eighth note feel means that every beat is divided into two. The first example has an eighth note feel and the second has a sixteenth note feel. I deliberately wrote them that way because I wanted the only difference to be the rhythmic feel. The speed and chord progression are the same and they contain mostly the same notes. The first thing that I want you to notice about these examples is that they’re quite similar. If you only read them without listening then you’re only getting half the story. It’s so important to listen to the examples as well as reading them. Listen to both examples either by watching the video or by using the Mp3 audio tracks that accompany the book. Eighth Note Example Eighth Note Bass Line for Electric Bass Sixteenth Note Example Sixteenth Note Bass Line for Electric Bass
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Then, I’ll explain how to improve your rhythmic accuracy when playing these feels so that you will improve your groove.įirst have a look at these two examples from my book Electric Bass – Improve Your Groove: The Essential Guide to Mastering Time and Feel on Bass Guitar. Find the book by following this link. In this video lesson I’ll demonstrate the difference between bass lines with an eighth and a sixteenth note feel. What are they and how do I master them on bass? So, every bass player should know when and how to use eighth and sixteenth notes. This is an important topic for bass players because most music has either an eighth note or sixteenth note feel. Eighth Note and Sixteenth Note Bass Grooves
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